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Auteur : Rebecca Williams

Faculty of Business & Creative Industries,
Department of Film & TV, ATRiuM,
University of South Wales,
Cardiff, CF24 2FN,
United Kingdom
rebecca.williams@southwales.ac.uk
0000-0001-5896-8995
blueskynetwork @augustaquarius.bsky.social

Rebecca Williams is an Associate Professor at the University of South Wales. She has published widely on media fandom, media tourism, Disney, and themed spaces. Her books include Animation: Key Films/Filmmakers: Tim Burton’s Nightmare Before Christmas (Bloomsbury, 2025), Theme Park Fandom (Amsterdam University Press, 2020), Post- Object Fandom (Bloomsbury, 2015), Everybody Hurts: Transitions, Endings, and Resurrections in Fan Cultures (University of Iowa Press, 2018), and A Fan Studies Primer: Method, Research, Ethics (University of Iowa Press, co- edited with Paul Booth, 2021). She is currently co-editing a book titled Pikachu’s Transmedia Adventures: The Continuing Adaptability of the Pokémon Franchise, and engaged in ongoing research into media tourism, and themed and immersive entertainment.

Bibliography

https://pure.southwales.ac.uk/en/persons/rebecca-williams/

Keywords
Fan Studies; Participatory Cultures; Fan Hierarchies; Buffy the Vampire Slayer

L’un des enjeux les plus récurrents dans l’intrigue de Buffy contre les vampires est de comprendre ce que signifie être une Tueuse, ce qui est étroitement lié à la notion de pouvoir.
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