UN@ est une plateforme d'édition de livres numériques pour les presses universitaires de Nouvelle-Aquitaine

by

with the assistance of Pascal Mora and Romain Pacanowski

  • Alamyimages: 70.
  • C. Baisson: 2, 68.  
  • L. Barragué-Zouita: 25.
  • A. Bély: 51.
  • Bibliothèque nationale de France: 1.
  • A. Gray: 3, 50.
  • groenling: 26 (bottom right), 48. 
  • Leicester Arts & Museums Service: 5 (left), 24 (top left). 
  • P. Mora: 7, 9, 14, 38, 47.
  • A. Mounier: 6, 10, 15, 42. 
  • M. Mulliez: 12, 14, 31, 38, 45 (right), 47, 60, 61, 63, 64, 66, 69 (gold).
  • M. Schlicht: 4, 8, 9, 11, 13, 16-23, 24 (except top left), 26 (except bottom right), 27-30, 32-37, 39-41, 43, 44, 45 (left), 46, 49, 52-59, 62, 65, 67, 69 (except gold), 71, 72.
ISBN html : 978-2-35613-515-5
Rechercher
Pessac
Chapitre de livre
EAN html : 9782356135155
ISBN html : 978-2-35613-515-5
ISBN pdf : 978-2-35613-517-9
ISSN : 2741-1818
1 p.
Code CLIL : 3669 ; 3679
licence CC by SA
Licence ouverte Etalab

Comment citer

Schlicht, Markus, Mounier, Aurélie, Mulliez, Maud, with the assistance of Mora, Pascal, Pacanowski, Romain, “Image credits”, in: Schlicht, Markus, Mounier, Aurélie, Mulliez, Maud, with the assistance of Mora, Pascal, Pacanowski, Romain, The colours of English alabaster panels. Medieval polychromy, production and perception, Pessac, Ausonius éditions, collection PrimaLun@ 22, 2023, 117, [online] https://una-editions.fr/colours-english-alabaster-panels [consulted on 01/24/23].
doi.org/10.46608/primaluna22.9782356135155.10
Illustration de couverture • 1• Top left: Assumption (Bordeaux, Musée d’Aquitaine). Reconstruction of the medieval polychromy (digital painting on 3D model). Image: P. Mora and M. Mulliez. 2• Top centre: A. Bély carving an alabaster panel with a mallet and a gradine. Photo: M. Schlicht. 3• Right: Adoration of the Magi (detail), Bordeaux, altarpiece of Saint Michel. Photo: M. Schlicht. 4• Left, centre: 3D-scanning of the Flagellation (Bordeaux, Musée d’Aquitaine) by Archeovision. Photo: M. Schlicht. 5• Centre: Assumption (detail), Bordeaux, altarpiece of Saint Michel. Cl. M. Schlicht. 6• Left, bottom : Entombment (detail), Périgueux, Musée d’art et d’archéologie. Photo : © Musée d’art et d’archéologie de Périgueux. 7• Bottom, 2nd image from the left: Painting of the facsimile of the Assumption (Bordeaux, Musée d’Aquitaine). Photo: M. Schlicht. 8• Bottom, 3rd image from the left: Pigment identification using a fibre optic reflectance spectrometer (FORS). Photo: M. Mulliez.
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